Garry Loughlin is a lens based artist whose work is research driven, incorporating photography, writing and archival material. His interests lie in the use of power, and the control of narratives and territories by those with that power. Loughlin is driven by unearthing micro-histories and the discovery of elements that can link a series of events that might initially seem isolated. Working with photography allows him to employ the language of documentary to challenge the perceived authority of the indexical image and its role in the distribution of history. Using original photographs alongside archival elements engenders a visually fragmentary approach reflecting the complex and often emotionally complicated narratives he wishes to convey.
Loughlin’s work can meet its audience in various formats and he is increasingly interested in formats which relate to or challenge notions of objective truth, such as publications and performance lectures.
Loughlin holds a MA in Documentary Photography from University of South Wales and has exhibited work internationally. Most recent shows included A Failed Attempt to Assemble a Mountain, a collaborative installation work with Alejandro Acin as part of The Centre of Gravity at Soap Works (UK), and The Clearing House in Test Space at Spike Island (UK). He has also delivered a performative lecture of The Clearing House as part of Bus Project’s (AUS) online program, Bus TV.